Replicated film poster designs. The law and civilization in the form of rules don't seem to exist. List is mainly female protagonists, but also includes some films where a…. I was invested in their success and engaged up until the…. [Sin Nombre] was his first real feature. You backed up and the train would get all discombobulated. He was eventually caught along with the entire ring. This is an ongoing project. “I actually found that humor was a big part of how the immigrants and gang members cope with their lives.”. Yet another phenomenal debut from a first time director. A film about incredibly relevant subject matter and Cary Joji Fukunaga does it justice. Emma Stone and Jonah Hill’s New Netflix Series ‘Maniac’ Gets Production Start Date. Cary Fukunaga est né à Oakland en Californie, d'un père Japonais et d'une mère suédoise. Technically it doesn't have anything new, but it isn't badly made either. Someone asked if we are going to do subtitles for the Spanish speaking audience like they had subtitles for the English speaking audience in Trainspotting! “Of course, this is the ideal, but there are many things in life that are ideal that we don’t get to experience.”. Tonight’s pick was a combination of influences. That's not to say their similar movies because I don't think anyone would watch these back to back and suspect that the same director was behind them. Their stories are sympathetic but not dramatic or maudlin. Looking for a new life, hope - those are themes found in Westerns. He could complete Casper's story in a good way or in a tragic way, but he was necessary. A Honduran young girl and a Mexican gangster are united in a journey across the American border. I also know that some of the Spanish speaking audience has a problem with the way the Mara speak because they speak in such a metaphorical, colorful language. So, we were riding around with guys who had AR-15s in the back of trucks going to these locations, but we realized that wasn't helping us. In fact, as Fukunaga notes below, there's almost a Road Warrior-esque quality to the film's cross-country trek through a violent, decaying landscape. The previous Thursday we showed them Monsters and Men, an incredible first feature from director Reinaldo Marcus Green. Still, while the film is loaded with accurate details and unsettling violence, it only shows a fraction of the challenges faced by characters struggling to survive under the dire circumstances of poverty and gang-related violence. This is the first film he's made and when watching it, you can see why HBO and WB/New Line wanted him involved in those projects. You don't know which way it's going to go. Facial tattoos you almost never find, except for people who got them years back. Every film Roger Ebert has given a four-star rating. Fukunaga: I was definitely sensitive to it. “It’s actually very toned down from the stuff that I learned about,” he said, “but a lot of it was rape, and the violence against women is pretty extreme across the board.” He was overwhelmed by “the chaos of it, the nonsensical violence and torture that takes place in those places where there’s no law or order.”, “Sin Nombre” was a daring first feature in part because it doesn’t provide the audience with an upbeat finale. Both stories are fairly interesting and both shed light on things I didn’t know a … Fukunaga put a lot of research into “Sin Nombre”: He spent an extensive amount of time in Mexico and throughout Central America, getting to know migrant workers, and even rode the trains with them despite the dangerous conditions. Directed by Cary Joji Fukunaga. Cory Joji Fukunaga’s “Sin Nombre” premiered to universal acclaim at the 2009 Sundance Film Festival, where it won both the directing award and the cinematography award. I would never have known who Cary Fukunaga was and would have never heard about the film called Sin Nombre had it not been for Letterboxd. In a fantastic debut, Cary Fukunaga gives us a glimpse into the world of illegal immigrants and the lengths to which they will go to get a better life. More details at Fukunaga: The environment feels like that of a Western. He had only done telenovela work. Sin Nombre interweaves the stories of two Latino youths, one a gang member struggling with what his membership entails, and the other a young girl trying to cross the border into America with her father. Highly recommended. He's about as innocent and good as you can get. And I had another scene with him where he was with the older kids, the main gang members, and he's trying to act like he's one of them and they are just tearing him down and making fun of him. A humane take on a gang movie by contrasting with a border-crossing immigration story. It was something I wanted to talk about in the short film because I found it so fascinating, the idea of immigrants riding on top of trains; bandits and gangs that were tattooed - this whole world felt absolutely cinematic. It's sympathetic, galvanizing, and tragic. “The initial budget for ‘Beasts [of No Nation]’ came in at $3.5 million, and this movie was $5.5 million. I really like that scene but we cut it out because it was taking focus away from the main drive of the story. The film is violent, honest, tragic and heartfelt. 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It didn't even feel part of North America but it was, it was this old West thing, or like hobos in the 1930s, but it had this weird Mad Max kind of feel to it too. I think the physical production executives did, but I didn't realize what it meant to be shooting on top of a train and having to reset all the time. A (never-ending?) You know, five or six weeks into a film, people get tired and people just want to be done, but that's when I think our crew was doing its best. So, 10 years later we had a budget that was cut by $2 million to do a similar kind of story in terms of the scale and ambition of it. Fukunaga: There are definitely tattoos, they are still prevalent, but today they are becoming less overt. Enjoy!!! Cary Fukunaga, the winner of the U.S. directing prize at Sundance this weekend, talks to Scott Macaulay about his debut feature, Sin Nombre. He's really good to his mom, and his mom is "iron fists" - she disciplines him. © 2020 Focus Features. But [with these shots] you got the sense that [for Sol], this is his life, this is the way it's going to be until he dies. On Thursday evening, IndieWire co-hosted a packed screening of “Sin Nombre” in New York, as part of an ongoing screening series highlighting the company’s output. It was my fault, and we actually cast him because of that scene - that was the scene we used for the casting [sessions]! This Article is related to: Film and tagged Beasts of No Nation, Cary Fukunaga, Focus Features, Sin Nombre. You have to play the part of leader to a certain degree. I made that at NYU for my second-year film. Film data from TMDb. Now tonight, another incredible first feature from Cary Joji Fukunaga.…. I made the short film, it came out in Sundance in '05, and then [the Sundance Institute's] Ilysse McKinney asked me if I had a script for the [Sundance] Labs, so I put together very quickly a feature based on the third-person research I had done for the short film - newspaper articles that talked about what Central Americans go through to get across to the U.S. Cary Joji Fukunaga was born on July 10, 1977 in Oakland, California, USA. I grew up in California so immigration is a topic I've seen throughout my life, but I think it was specifically because of an article [I read] about the truck in Victoria, Texas, and those immigrants being abandoned that sparked the short film, and then the short film sparked the feature film. “In my mind, I don’t really differentiate it right now… in the end, you either you gravitate towards a story or you don’t. Casper's pretty contained to his arms and his hands and little bit of his neck - he doesn't have any major body stuff. The cinematography is beautiful. The fact that these two films are the first features he's directed amazes me. Do we focus more on the girl, more on Casper, more on Smiley? Suggestions welcome. Suggestions welcome. Fukunaga’s first directorial venture was a truly enthralling experience. Fukunaga does a great job with his two main characters. Beautifully depicted the reality of immigration and gang violence in the south America and Mexico. Cary Joji Fukunaga, Producer: Beasts of No Nation. Both stories are fairly interesting and both shed light on things I didn’t know a lot about. As it turns out, tonight’s pick was Lise’s based on her loving the film ( I didn’t see it ) and the fact that our neighbours were departing for a Mexican vacation tomorrow morning. They used to be nationalized and run by the Mexican government, but now they are completely abandoned. So those scenes of Smiley's were taking away from what we needed. Mobile site. especially frustrating is the general short-changing of a much more interesting subplot about a kid coming up in a Mexican gang. He was so funny in it. Il est diplômé de l'université de Santa Cruz (Bachelor of Arts in History), de l'Institut d'études politiques de Grenoble et de la Tisch School of the Arts de l'université de New York (Graduate Film Program). It ain't slow, but it ain't fast either. He also visited prisons in Mexico, befriending gang members, and doing his part to make sure the gangs weren’t sensationalized or otherwise misrepresented in the film. I sensed shades of City of God in how young impressionable minds are altered to match the grittiness of every day survival. It is a stark look at the challenging life in Southern America. The hallmarks of a strong movie, indeed. Fukunaga: Ending up in the immigration world was completely accidental. I had to give a speech, a little talk when we first started shooting. work in progress. Generally bleak and melancholic films. Whether it ends up on Netflix or HBO or on the big screen for a period of time, it’s going to end up on Netflix or HBO eventually.”, Read More: Emma Stone and Jonah Hill’s New Netflix Series ‘Maniac’ Gets Production Start Date, Still, he underscored the value of the theatrical experience. Cary Joji Fukunaga was born on July 10, 1977 in Oakland, California, USA. Fukunaga:: Smiley had always been there from the beginning. In its taut ten minutes, it mirrors the construction of Fukunaga's first feature film, Sin Nombre. We could stop, move back, move forward, speed up, slow down, but with the process train, because it was trailers you had this jackknifing scenario. It ain't boring, but it ain't interesting either. “Comedy is tragedy,” he said. Along the way she meets a teenaged Mexican gang member, El Casper (Edgar Flores), who is fleeing his own violent past and trying to elude his unforgiving former associates. Although I do think that the gang side of the plot-a subplot- could be a much more raw depiction than how it was shown. Nonetheless, having coincidentally seen this movie the same year I saw Gregory Nava's 1983 immigration epic "El Norte", I can't help but notice the contrivances and superficiality of the script. We watch as a group of immigrants dream of a new life on … I really love how the changing landscapes while trying to propagate a sense of visual beauty gets bombarded by the social consciousness of the film. It was [placed] towards the end [of the film], and we needed to increase the danger, not take away from it. Cary Fukunaga's breakthrough film is a chilling reminder of how the real world operates. ETA: This list is getting long so I moved sections…, Jayce Fryman 18,690 films 2,926 99 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. In addition to its topicality, Victoria Para Chino compelled audiences by virtue of its keen visual sense and, most importantly, the emotions expressed by its characters. We did that to be safe because with pneumatic wheels if someone fell off a real train with steel wheels when we were doing the more physical-action type stuff, that would have been it. A Comcast Company. Regardless, this is certainly one of the best films of…. Stay on top of the latest breaking film and TV news! This…, T0rr3nt Fantasma 1,200 films 328 9 Edit, LISTA COM TODOS FILMES DISPONIVEL NO D_RIVE (LISTA ATUALIZADA CONSTANTEMENTE), LINK DO DRIVE (TIRAR OS ESPAÇOS) https:// drive.google.com/ drive/u/1/folders/1xKaWJhjoqsVTNOt3OOfURTWwWvt9Vqf8…. 2009 Sin Nombre is an extremely beautifully shot, Mexican road/ gangster film. A tragic, brutally authentic, and deeply heartfelt road film slash gangster drama, Sin Nombre captures the challenges of being an illegal immigrant and what they'll do to live better lives with thought and uncompromising grittiness, as well as strong characterization, gorgeous cinematography, and air-tight writing and direction. But Lil' Mago is a fanatic and is so dedicated to it that his entire body is covered. I like how a road movie at heart parallely attempts handling matters of gang crime and relationships! As brilliant as the first time I saw it.Perfect characterization, great story-telling, organically dramatic and heart-wrenching without cheap sentimentality.All of this, and a first feature to boot. IMDb Directed by Cary Joji Fukunaga. The short film focuses mainly on those moments before getting on the trailer and what happens inside the trailer as people start to pass away. I had a shot in the film, a dolly-in with him and his kids, and another shot where he's helping his kid water the plants in the house, but we ended up cutting them out. A lot of the stories are about justice, closing a chapter on something that happened earlier in the film, so in that way [Sin Nombre] is definitely constructed like that. This is Thursday, which is the night we invite our neighbours over to watch either something we’ve seen and loved, or something we missed that was screened at TIFF. He's a character I had written a lot more scenes for that didn't wind up in the film. From the [Sundance Writers] Lab and on he was always necessary to make Casper's story complete. That was the moment when [I] actually felt part of something and could write about it. Sin Nombre is a beautiful simple story of two people who need to get a way from their lives. The film with all its gorgeously choreographed shots of the Mexican country side stunningly contrasts the pitiful plight…. He's just someone who has accepted his fate. Sign Up: Stay on top of the latest breaking film and TV news! It's raining hard outside so you decide to put on some movies that are "soothingly" equivalent to Edith Piaf's music…, A collection of my favorite foreign films, including lots of underrated/unknown titles worth checking out. Classic, influential, historically significant, or popular films of both Mexican and Mexican-American cinema. It's still Spanish but it's like you're always a few seconds behind realizing what they're saying even if you're a Spanish speaker. Last week I had no idea who Cary Fukunaga was. Sin Nombre interweaves the stories of two Latino youths, one a gang member struggling with what his membership entails, and the other a young girl trying to cross the border into America with her father. After the film, Fukunaga took part in a Q&A session moderated by IndieWire’s Deputy Editor and Chief Critic, Eric Kohn. The movie, the end product, is absolutely important, it's what we are working towards, but this day-to-day, what we're doing on set, this is our life. this would be so much better if the characters didn't make inexplicably asinine decisions every 10 minutes. “I like to be able to move back and forth between film and TV,” he said. You can't have trains or bandits without thinking of Westerns. It’s interesting and engaging, a solid effort from the first-time writer/director. Report this film. More than anything, this movie got me frustrated. We had soccer tournaments every weekend, I think we created some relationships and some long lasting friendships, so it was cool. He also addressed the flashes of comedy in the movie, which struck some viewers as jarring. In its taut ten minutes, it mirrors the construction of Fukunaga's first feature film, Sin Nombre. The characters aren't very well flushed out, but you can watch them go through stiff. Actually, shooting on top of the real train ended up being easier than shooting on top of the process train that we built. The suspense, the doomed romance of two conveniently compatible teens (one a bad boy with a heart of gold, the other an innocent and loving girl of course), the last-minute twist of fate. Rather than being faceless Labor Department statistics, Fukunaga's characters became, in its brief running time, real people whose lives we cared about. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. She's happy he is working, and then he goes and meets the gang. And Sol, he has just a little bit. The dawn of the new century, the first 20 years. He is a producer and director, known for Beasts of No Nation (2015), Sin Nombre (2009) and Victoria para chino (2004).